A Sony a6300 camera can capture 4k (3840 x 2160) video in XAVC-S format, but this video format cannot be edit in FCP on Mac. Here are the FCP supported formats:
Video Formats: Apple Animation codec, Apple Intermediate codec, Apple ProRes(all versions), AVC-intra, AVCHD (including AVCCAM, AVCHD Lite, and NXCAM), DV (including DVCAM, DVCPRO, and DVCPRO50), DVCPRO HD, H.264, HDV, iFrame, Motion JPEG(OpenDML only), MPEG IMX(D-10), REDCODE RAW (R3D), Uncompressed 10-bit 4:2:2, Uncompressed 8-bit 4:2:2, XAVC, XDCAM HD/EX/HD422, QuickTime formats.
Audio Formats: AAC, AIFF, BWF, CAF, MP3, MP4, WAV
Container format: 3GP, AVI, MP4, MXF, QuickTime
Still-image formats: BMP, GIF, JPEG, PNG, PSD, RAW, TGA, TIFF
It is clear that 4K XAVC-S is not supported by FCP. The easiest way to make the 4K XAVC-S be edited by FCP is to transcode 4K XAVC-S file to a format which is compatible with FCP. Then the FCP can recognize the file and handle it well. Apple ProRes codec is the most friendly codec for FCP.
You need a professional video converter to do that job, iFastime Video Converter Ultimate for Mac is right the best choice for you. This video converter has specialized formats for Final Cut Pro. It can perfectly convert XAVC-S to:
Video Formats: Apple Animation codec, Apple Intermediate codec, Apple ProRes(all versions), AVC-intra, AVCHD (including AVCCAM, AVCHD Lite, and NXCAM), DV (including DVCAM, DVCPRO, and DVCPRO50), DVCPRO HD, H.264, HDV, iFrame, Motion JPEG(OpenDML only), MPEG IMX(D-10), REDCODE RAW (R3D), Uncompressed 10-bit 4:2:2, Uncompressed 8-bit 4:2:2, XAVC, XDCAM HD/EX/HD422, QuickTime formats.
Audio Formats: AAC, AIFF, BWF, CAF, MP3, MP4, WAV
Container format: 3GP, AVI, MP4, MXF, QuickTime
Still-image formats: BMP, GIF, JPEG, PNG, PSD, RAW, TGA, TIFF
It is clear that 4K XAVC-S is not supported by FCP. The easiest way to make the 4K XAVC-S be edited by FCP is to transcode 4K XAVC-S file to a format which is compatible with FCP. Then the FCP can recognize the file and handle it well. Apple ProRes codec is the most friendly codec for FCP.
You need a professional video converter to do that job, iFastime Video Converter Ultimate for Mac is right the best choice for you. This video converter has specialized formats for Final Cut Pro. It can perfectly convert XAVC-S to:
1. MP4 to Apple ProRes 422/422HQ/422 LT/422 Proxy (*.mov); Apple ProRes 4444 (*.mov); Apple ProRes compatible (*.mov) for FCP X, FCP 7, FCP 6.
2. Apple InterMediate Codec MOV for Final Cut Express.
3. H.264 MOV/MPEG-2 MPG for Premiere.
4. Convert XAVC-S to AIC MOV for editing in Windows Movie Maker
5. Convert XAVC-S to WMV for Sony Vegas Pro and Windows Movie Maker
All above formats are with high lossless output quality within a very short time. What’s more, it can convert other video formats you get from Sony camera to the formats you want for different usage. Besides, as you are a Mac user, there are many formats specialized for iOS devices, anytime you find format problems, turn to iFastime Video Converter Ultimate for Mac for help. (Read review)
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Follow the simple guide below, you can clear know how to convert Sony a6300 XAVC-S files for FCP.
Convert a6300 4K XAVC-S to FCP
Install and launch iFastime Video Converter Ultimate for Mac. Then the main interface will come up. The the specific steps are shown below.
Step 1. Add Sony a6300 XAVC-S files
Click “File” button, choose “Add Video/Audio ” to load Sony a6300 XAVC-S video to it. If you wanna load a number of video clips to do batch conversion, remember click the blank left beside Name sign before you start.
Step 2. Choose output format
Click the drop-down menu besides the format, you can find a long list which are all iFastime supported devices and formats. Select Final Cut Pro catalogue on the left side, then you will find a list shown on the right side, Apple ProRes is the best suited editing codec for all the version of FCP, you are recommended to choose “Apple ProRes 422 (*.mov)” as output format for opening with FCP. You can also choose other Apple ProRes codecs, you can get a better understanding of different types and characteristics of Apple ProRes in this article, and it will be better for you to choose the right codecs for you.
Click the drop-down menu besides the format, you can find a long list which are all iFastime supported devices and formats. Select Final Cut Pro catalogue on the left side, then you will find a list shown on the right side, Apple ProRes is the best suited editing codec for all the version of FCP, you are recommended to choose “Apple ProRes 422 (*.mov)” as output format for opening with FCP. You can also choose other Apple ProRes codecs, you can get a better understanding of different types and characteristics of Apple ProRes in this article, and it will be better for you to choose the right codecs for you.
Step 3. Adjust parameter (Optional)
If necessary, you can click “Settings” button and go to “Profiles Settings” panel to modify video and audio settings like video encoder, resolution, video bit rate, frame rate, aspect ratio, audio encoder, sample rate, audio bit rate, and audio channels.
Step 4. Start conversion
If necessary, you can click “Settings” button and go to “Profiles Settings” panel to modify video and audio settings like video encoder, resolution, video bit rate, frame rate, aspect ratio, audio encoder, sample rate, audio bit rate, and audio channels.
Step 4. Start conversion
Click “start conversion” button to start Sony a6300 XAVC-S to ProRes conversion. After finish the steps above, you can get converted Sony a6300 XAVC-S files in your output folder you have set before for transferring and editing in Final Cut Pro with optimum performance.
Additional Tips: Sony FS7 4K XAVC-L Support in DaVinci Resolve 11/12
With the most advanced color corrector, DaVinci Resolve can help you creating beautiful videos with Hollywood style just as other professional directors do. While editing with DaVinci Resolve, many folks have high wishes for Resolve 11/12 to add support for 4K XAVC-Long GOP from Sony FS7. If you're in such a situation, you can read on to learn more. In this article, you will learn the reason why Resolve 11/12 has no ability to edit XAVC-L from FS7 and how to get a smooth Sony FS7 4K XAVC-L and DaVinci Resolve workflow.
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